Categories
Waddy Wachtel (7)
Fleetwood Mac Associate


Search Articles

Los Angeles Times (03/04/1993) < Lindsey Buckingham < Main Page

Los Angeles Times (03/04/1993)

Los Angeles Times, March 4, 1993, Ventura County Edition

LIFE OF LINDSEY
The former Fleetwood Mac guitarist is hitting the road to promote his latest album, "Out of the Cradle."

by Bill Locey, Special to the Times

This rock guitarist is rich. He lives in Bel Air. President Bill likes him. Stevie Nicks used to like him. He doesn't need the money, but he'll still be playing at the Ventura Theatre Tuesday night.

Lindsey Buckingham used to be in Fleetwood Mac, the band he left four years ago. Now he is touring in another of those thinly veiled efforts to coerce members of the record-buying public to purchase a copy of his first solo album in eight years, "Out of the Cradle."

Fleetwood Mac re-formed recently (and briefly) to serenade the President at his recent inaugural. It wasn't a real heavy workload; if you went to the bathroom you would have missed it. The band performed one song, "Don't Stop," then they did.

The Mac used to play a lot more. Back in the '60s when every British band was a blues band, so was Fleetwood Mac. So were the Yardbirds, the Rolling Stones, Ten Years After, Savoy Brown, and lots of others.

Always a guitar band, the Mac at one time had the kind of problem other bands only dream of -- three primo players, Peter Green, Jeremy Spencer and Danny Kirwan. As these guys dropped out and the band relocated to America, Bob Welch joined as the new guitar dude, followed in 1973 by Buckingham.

As great as the Mac was with albums such as "Then Play On" and "Kiln House," the band never really made any money until Buckingham joined. "Rumours," on the other hand, made zillions, making this Mac almost as lucrative as the golden arches Mac. On the eve of his tour, Buckingham spoke by phone from his ritzy pad:

  So how did "Out of the Cradle" do?

Well, you know it was so-so. The road may put some life into it. I'm fairly confident about the tour. We did a couple of warm-up shows recently at the Coach House. Instead of people shouting to hear Fleetwood Mac songs, they had listened to the solo stuff. I don't have a set list in front of me, but I'll probably do about five Fleetwood Mac songs.

Back in the old days of rock, albums came out rather quickly. Why does it take so long now?

Well, you know, way, way back, some acts put out three albums a year. Now, a lot of it has to do with the technology -- it presents more freedom but also more choices, which can be a slowing process. I did a couple of solo albums when I was in Fleetwood Mac. "Big Love" and a couple of other songs ended up on the band album "Tango in the Night" but were originally supposed to go on a solo album. When I left the band, I didn't do anything for a year. When I did embark on a Phase II, I feel I did so from a position of strength.

How did you end up in Fleetwood Mac?

Well, let's see . . . I think Mick Fleetwood was looking for a recording studio. Stevie and I had just finished an album, and Keith Olsen, our engineer, put something on tape to show his work as an engineer. It turned out to be our song "Frozen Love," which had a searing guitar solo. At that time, Stevie and I just happened to be in the back room, and when we walked in, there was this really tall guy stomping his feet to our song. Bob Welch was leaving the band, so Mick Fleetwood asked me to join. At first, he didn't want both of us, but I told him we were sort of a package deal.

Peter Green, Danny Kirwan, Jeremy Spencer, Bob Welch, yourself -- it's a long list of great guitarists in Fleetwood Mac, why?

That was just one of those things. The band was known as a guitar band in the beginning.

All the ex-Fleetwood Mac guitarists would make quite a band.

There's too many egos with all those guys. My current band has four other guitarists.

"Then Play On" and "Kiln House" were great albums, but Fleetwood Mac never really made any money until you joined.

That's true. I brought a certain pop sensibility to the whole thing. My contribution to the group was not so much as a guitarist, a singer and a lyricist, but as someone who could take raw material from Christine (McVie) and Stevie and forge it into something.

Fleetwood Mac had a million albums even before you joined. How did they stay together for so long?

Stupidity? I don't know.

Besides having a different drummer, how is your music different than Fleetwood Mac music?

Well, I have no drummer. It's a different approach. I was always left to bridge the gap between Christine's and Stevie's material. I'm able to cover a wider range of emotions now. There's certainly more of an aggressive guitar style interpreted into a pop format. I think my current stuff is a little more mature, but it's still a continuation of my Fleetwood Mac days.

Why did you split from the band?

Well, now I'm doing something that I've always wanted to do. Now I don't have to put myself into some sort of mode that will sell. I was a part of something, something huge -- a selling machine. It was great for the notoriety and the financial benefits. But then you kind of get into a thing where the rock business says 'If a thing works, then beat it into the ground.' The "Rumors" album sold 16 millions copies. Then came "Tusk," my favorite album, which was sort of my reaction to "Rumors." When it didn't sell 16 million copies, the reaction of the group was sort of 'We're not going to do that again.' There was an increasing amount of personal crises in the band -- we saw Stevie two weeks out of the year. It wasn't a very creative situation.

What's a typical day in the life of Lindsey Buckingham like? Do you wake up and watch "Leave It To Beaver" or what?

No, I don't do that. It depends if I'm recording. When I am in the studio, I try and get there by nine in the morning and work day hours. I suppose it's my reaction to band hours when you start at 6 p.m. and work until the sun comes up. I always hated that. I still get up early, but right now, I'm running through some acting scenes with my girlfriend who's an actress.

What was the strangest gig you ever played?

That would have to be the Inaugural with Fleetwood Mac. We got back together for that. We had Michael Jackson and Barbra Streisand open for us. That was pretty strange. We only did one song, "Don't Stop," so it was pretty easy. Bill and Al and their wives were all on stage.

One song? Did they feed you or what?

Yeah, we got a cheese plate.

The thing I found interesting on your rather substantial bio is the part about your dad being a coffee grower. Now wait a minute, I thought Juan Valdez grew the coffee in Colombia, not Daly City.

No, the bio was wrong. He doesn't wear the white shirt and carry around a machete. My dad's a coffee packer. It's shipped in and he packs it.

What was the first record you ever bought?

I had the luxury of an older brother, so he bought the records. I remember when he brought "Heartbreak Hotel." The first concert I saw was probably the Beatles' last show at Candlestick Park.

Any bands you'd go see?

Oh, sure lots of them. I go see Arrested Development, U2, Peter Gabriel, R.E.M., you know. I also like a lot of the younger bands like Pearl Jam.

Thanks to Anusha for the submission.


Date: 1993-03-04         Number of views: 1592

Print This Save This E-mail This Talk About This ( 0 )
Was this article helpful?
 
Yes
No
 
Related Articles
Bassist (02/02/1998), John McVie
Bassist, February 1998 JOHN MCVIE With a new/old album, The Dance, doing brisk business, have th...
Rolling Stone (03/04/1982), Mayall Re-forms Bluesbreakers
ROLLING STONE --- MARCH 4, 1982 MAYALL RE-FORMS BLUESBREAKERS John McVie and Mick Taylor calle...
Bassplayer (05/06/1995), A life with Fleetwood Mac - John McVie
Bassplayer, May-June 1995A life with Fleetwood Mac - John McVieBy Alexis Sklarevski John McVie has...